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Spoiler

ライフトラベラー

Contains spoilers.

Teachings in the Story

Choose free inconvenience

A trip with flights, lodging, and even meals arranged has little inconvenience, but also little freedom to choose for oneself. Natsuki proposes to Tomoya a journey that takes on the inconvenience of deciding neither the means of transport nor a guide and carrying no extra luggage.

Put encounters at the center of the journey

By moving without arranging luggage or guidance in advance, you make room for chance encounters to come in. In the work's description, those encounters serve as an opportunity to reconsider the journey and life, and what Tomoya gains becomes the question of the story.

Notice the treasures in everyday life

The publisher's table of contents lists “Notice the treasures in everyday life” alongside wealth, the driving force of action, living in the present, passion over calculation, and the difference in what is needed. It is an item that shows a structure overlaying a small journey on life.

Highlighted Quotes

After each quote, we provide a TODO based on a fan's interpretation.

「その旅行には不自由はないかもしれないけど、自由もない。」

A scene that speaks of the difference between a prepared trip and a journey chosen for oneself.

Set out without deciding one thing

Weekly

Walk around your neighborhood and choose which way to turn, just once, on the spot

Cue
When you step out your door on your next day off
Start small
Walk around your home for two minutes
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「そうだよ。あっちの世界に行って、帰ってくるまでのことを〈旅〉っていうんだ」

A conversation that compares time spent on earth to a journey.

Write one scene from today's journey

Daily

Write down one of the following: something you saw for the first time today, someone you met, or a path you chose

Cue
When you get home and take off your shoes
Start small
Write one word
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Essences to Carry into Life

The essences and TODOs are fan interpretations, not the author's words.

devices in the story

“A Journey of Endless Free Inconvenience.” Natsuki explains to Tomoya, before they set out, how it differs from a prepared trip.

This interpretation was checked against official descriptions and readers' records

The conditions of a journey of free inconvenience

This suggestion replaces the journey in the story, where nothing is prepared in advance, with a small margin in which you can safely choose for yourself.

Make one slot of free inconvenience

Weekly

On your next outing, decide only the destination, and leave thirty minutes along the way with no destination or activity decided.

Steps

  1. Decide only the destination and the time to return
  2. Leave thirty minutes along the way open
  3. Choose what comes next from what you find on the spot
Writing field: The destination and the time to returnWriting field: The time I leave openWriting field: What I chose on the spot
Cue
When you plan your next day off
Start small
Leave ten minutes open
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devices in the storyCarry less and look for things where you go

From “Turn 〈0〉 into 〈1〉” to “The Miracle Called 〈Encounters〉.” Natsuki tells Tomoya, who has many belongings, why it is meaningful to look for things like a toothbrush on the spot.

This interpretation was checked against official descriptions and readers' records

This suggestion keeps the form in the story: not reducing belongings for its own sake, but creating the experience of looking and asking on the spot.

Go out with one fewer thing

Once

Leave out just one item that poses no safety concern, and if you need it, look for it or ask someone where you are.

Steps

  1. Lay out your belongings
  2. Take out one item that you can also safely get on the spot
  3. If you need it, look for it or ask on the spot
Writing field: The item I will leave outWriting field: How I found it on the spotWriting field: Encounters and experiences that arose
Cue
When you pack for your next short outing
Start small
Choose one item and consider whether you can go without it this time
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devices in the storyTurn 〈0〉 into 〈1〉

“Turn 〈0〉 into 〈1〉.” Natsuki tells Tomoya, before they set out, about turning what you have not experienced into experience at your destination.

This interpretation was checked against official descriptions and readers' records

This suggestion turns the idea in the story of changing from 0 to 1 into a first step you can try without traveling far.

Turn one new thing into an experience

Weekly

Choose one small thing you have never experienced and take the first action yourself.

Steps

  1. Write one thing you have not yet experienced
  2. Decide on the first action you can take today
  3. Note what you learned only by trying
Writing field: Something I have not yet experiencedWriting field: The first actionWriting field: What I learned for the first time
Cue
When you notice, “I've never done that”
Start small
Write only one candidate you have not yet experienced
Checking your login status.Discuss on the Message Board(Japanese)
devices in the storyCount experience as true wealth

“True Wealth.” Thought to be a scene in which Natsuki tells Tomoya about the value of the experience gained on a journey.

This interpretation was checked against official descriptions and readers' records

This suggestion turns the chapter about seeing experience, not possessions, as wealth into a short record you can look back on later.

Leave one line of experience as wealth

Weekly

From an unplanned event today, choose one experience you can use again and leave it in one line.

Steps

  1. Write one unplanned event
  2. Write what you did on the spot
  3. Make one line of an experience you can use again
Writing field: The unplanned eventWriting field: What I did on the spotWriting field: An experience I can use again
Cue
When you look back on the week over the weekend
Start small
Write only the unplanned event
Checking your login status.Discuss on the Message Board(Japanese)
devices in the storyPut aside gain and loss and give your all to what is in front of you

From “The Driving Force of Action” to “Passion Over Calculation.” Natsuki contrasts choosing by gain and loss with facing what is in front of you wholeheartedly.

This interpretation was checked against official descriptions and readers' records

This suggestion turns the teaching of facing what is in front of you wholeheartedly, without choosing by gain and loss, into a short action that is easy to start.

Put aside gain and loss and move for two minutes

Daily

Choose one thing you have been putting off, and work on it in earnest for just two minutes before deciding whether it is a gain or a loss.

Steps

  1. Choose one thing you have been putting off
  2. Write one experience you could gain from it
  3. Set a timer for two minutes and work on it
Writing field: What I have been putting offWriting field: The experience I could gainWriting field: What moved forward in two minutes
Cue
When you begin to wonder, “Will it pay off?”
Start small
Take out one tool you need
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devices in the storyReturn “I have to” to “I want to”

Thought to follow the flow from “The Driving Force of Action” to “Living Freely,” but the exact chapter and order of the conversation have not been checked.

This interpretation was checked against official descriptions and readers' records

This suggestion turns the way of seeing in the story, returning to a purpose you chose without forcing a sense of duty away, into a one-sentence rewrite.

Rewrite “I have to” as “I want to”

Daily

For an action that has become an obligation, recall what you first wanted, and rewrite it as a sentence of your own choosing.

Steps

  1. Write what you feel you have to do
  2. Write what you wanted when you began
  3. Rewrite it as a sentence beginning “I want to…”
Writing field: What I feel I have to doWriting field: What I wanted at firstWriting field: A sentence I chose again myself
Cue
When you say “I have to” in your mind
Start small
Write only the “I have to” sentence
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devices in the storyThink about the gift to take to your destination

Thought to be near “What You Need Is Different.” Natsuki asks Tomoya whether he is thinking only of what he will receive on the journey.

This interpretation was checked against official descriptions and readers' records

This suggestion turns the form in the story, which asks not only what you receive on a journey but what you can give, into a small action.

Choose one thing you can give

Weekly

Choose one person you will meet next, and decide on one piece of help, knowledge, or time you can offer without strain.

Steps

  1. Choose one person you will meet next
  2. List three things you can give
  3. Check what suits the other person and carry out one
Writing field: The person I will meet nextWriting field: What I can giveWriting field: What to check with the other person
Cue
When you check your plans to meet someone
Start small
Just write down one thing you can give
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devices in the storyBecome the person you would want to travel with

“The Most Important Preparation.” Natsuki asks Tomoya whom he would want to travel with, and connects the talk to the self who is with him the whole journey.

This interpretation was checked against official descriptions and readers' records

This suggestion turns the question in the story of seeing yourself, who is with you the whole journey, as a companion into a way of behaving you can choose.

Choose the self you want to be with

Weekly

List three behaviors of a person you would want to travel with, and try one of them as yourself today.

Steps

  1. Write three behaviors of a person you would want to travel with
  2. Choose one you can do today
  3. Note the moment you tried it in one line
Writing field: Behaviors of a person I would want to travel withWriting field: The behavior I choose todayWriting field: The moment I tried it
Cue
When you see plans with others, or when you start spending time alone
Start small
Write just one behavior
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devices in the storyDecide beforehand to enjoy everything that happens

“The Most Important Preparation.” Following the question of whom he would want to travel with, Natsuki tells Tomoya of an agreement to make before the journey.

This interpretation was checked against official descriptions and readers' records

This suggestion reproduces the agreement in the story in a form that does not insist events are good, but looks for an experience after checking safety.

Decide beforehand to enjoy the unplanned

Daily

At the start of the day, decide that if something unplanned happens, you will check that you are safe and look for one thing you can try with it.

Steps

  1. In the morning, write that you will accept the unplanned as experience too
  2. When something unplanned happens, check that you are safe
  3. Choose one thing you can try on the spot
Writing field: Today's agreementWriting field: The unplanned event that happenedWriting field: What I tried on the spot
Cue
When you look at the day's plans in the morning
Start small
Write one phrase: “The unplanned is experience too”
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devices in the storyShake hands on the Path of Promises and exchange 〈Talent〉

“Before Birth: Tomo and Natsu.” Natsu tells Tomo, who is heading toward the gate to the earth, what it means to shake hands with many people.

This interpretation was checked against official descriptions and readers' records

This suggestion turns the story's device of exchanging 〈Talent〉 by a handshake into a record for finding the strengths you received from actual encounters.

Count one talent you received

Once

Recall one person who has helped you, and write one strength received from them and one you can pass on next.

Steps

  1. Choose one person who helped you
  2. Write the strength you received from them
  3. Write the strength you can pass on to the next person
Writing field: The person who helped meWriting field: The strength I receivedWriting field: The strength I can pass on to the next person
Cue
When someone new has helped you
Start small
Write only the name of the person who helped you
Checking your login status.Discuss on the Message Board(Japanese)

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